The festival is primarily a Celtic fire festival, representing the middle of summer, and the shortening of the days on their gradual march to winter. Midsummer is traditionally celebrated on either the 23rd or 24th of June, although the longest day actually falls on the 21st of June. The importance of the day to our ancestors can be traced back many thousands of years, and many stone circles and other ancient monuments are aligned to the sunrise on Midsummer’s Day. Probably the most famous alignment is that at Stonehenge, where the sun rises over the heel stone, framed by the giant trilithons on Midsummer morning.
In antiquity midsummer fires were lit in high places all over the countryside, and in some areas of Scotland Midsummer fires were still being lit well into the 18th century. This was especially true in rural areas, where the weight of reformation thinking had not been thoroughly assimilated. It was a time when the domestic beasts of the land were blessed with fire, generally by walking them around the fire in a sun-wise direction. It was also customary for people to jump high through the fires, folklore suggesting that the height reached by the most athletic jumper, would be the height of that years harvest.
After Christianity became adopted in Britain, the festival became known as St John’s day and was still celebrated as an important day in the church calendar; the birthday of St John the Baptist. Traditionally St John’s Eve (like the eve of many festivals) was seen as a time when the veil between this world and the next was thin, and when powerful forces were abroad. Vigils were often held during the night and it was said that if you spent a night at a sacred site during Midsummer Eve, you would gain the powers of a bard, on the down side you could also end up utterly mad, dead, or be spirited away by the fairies.
Indeed St Johns Eve was a time when fairies were thought to be abroad and at their most powerful (hence Shakespeare’s Midsummer Night’s Dream).
St John’s Wort was also traditionally gathered on this day, thought to be imbued with the power of the sun. Other special flowers (Vervain, trefoil, rue and roses) were also thought to be most potent at this time, and were traditionally placed under a pillow in the hope of important dreams, especially dreams about future lovers.
The festival is still important to pagans today, including the modern day druids who (barring any trouble) celebrate the solstice at Stonehenge in Wiltshire. For them the light of the sun on Midsummer’s Day signifies the sacred Awen. For witches the summer solstice forms one of the lesser sabbats, their main festivals being Beltane (1st May) and Samhain. Some occultists still celebrate the ancient festivals around 11 days later than our calendar; this marks the 11 days, which were lost when the Gregorian calendar replaced the Julian calendar in 1751.
Before Marilyn Manson, before Alice Cooper, there was The Crazy World Of Arthur Brown, an R&B act whose hit song ‘Fire’ set both the UK and US charts alight back in 1968. Considered one of the prime movers behind the British progressive underground, Brown’s flamboyant stage act – flaming helmet, outlandish costumes, bizarre facial make-up and crazy, incendiary vocals – appropriately suited the band’s manic, psychedelic sound. When that band broke up in early 1969, Brown slowly abandoned his R&B roots. He then resurfaced in 1971 and was back to his theatrical excesses (including his own on-stage crucifixion) with a new band called Arthur Brown Kingdom Come; this band was rockier, more adventurous and a decidedly more progressive outfit. Kingdom Come’s performance at the very first Glastonbury Fayre in 1971 was one of the undoubted highlights of that years festival, which also included performances by Pink Fairies, Family, Gong, Traffic, Fairport Convention, Terry Reid and David Bowie. See some wonderful photographs of the first Glastonbury Fayre event HERE .
Through the course of three LP’s, the band saw a string of musicians incessantly going through the revolving doors of Brown’s ministry. Not having much commercial success, however, Kingdom Come split up in 1973. Brown went on to cut three solo albums and then disappeared somewhere in Texas to become a carpenter.
All three Arthur Brown Kingdom Come LP’s are a kind of collision between psychedelia and new wave, bearing a space-rock and typical Zappa-esque tomfoolery. They feature Brown’s incredible vocals (that can range from Tom Jones’ croonery to sheer maniacal screams). Somewhat like a bridge between the psychedelic and early progressive eras, their first album ‘Galactic Zoo Dossier’ impresses with its aggressive guitar play and wild, killer organ. This is the set that the band performed at Glastonbury Fayre. Simply called ‘Kingdom Come’, the band’s second effort is a bit more disjointed, slightly lacking the punch and energy of the first. With ‘Journey’, we have the band’s most accomplished work, featuring new musicians, plenty of mellotron and synths – a highly entertaining space prog rock album altogether.
If you delight in both failed genius and early 70’s hippy zaniness, then do give this band a listen. You’ll probably find plenty of words to describe their music, but ‘boring’ isn’t be one of them…