Fred Locks – Vulcan Records – 1976

Black Star Liner / Vision Of Redemption / I’ve Got A Joy / Sons Of The Almighty / Sing A Long

True Rastaman / Don’t Let Babylon Use You / Walls / Wolf Wolf / Time To Change

Uploaded for your listening pleasure tonight is the fine debut LP by Fred Locks,  I fancied placing some more reggae on the site as it is so hot up the top of Penguin Towers it feels like muggy Kingston heat…Far too lazy tonight to open the windows so reggae it will have to be…Text below via the Jah blessed Wikki.

Fred Locks (b. Stafford Elliot, 1955, Kingston, Jamaica) is a roots reggae singer best known for his mid-1970s single ‘Black Star Liners’ and the album of the same name.

Elliot grew up in a strict Catholic home in the Franklin Town area of Kingston, along with eleven brothers and sisters, moving to Eastern Kingston when he was ten. His father played the guitar, and his older brother would also take on the instrument, accompanying Elliot’s early singing efforts. Like many of the Jamaican solo singers of the 1970s, Elliott began his career in the 1960s as part of a vocal harmony group, in his case a group he formed in secondary school, The Flames, and in 1966 The Lyrics, who recorded for Coxsone Dodd in the late 1960s, with tracks such as ‘A Get It’, ‘Girls Like Dirt’, and ‘Hear What The Old Man Say’. They later moved on to Vincent Chin’s Randy’s setup, recording ‘Give Thanks’, ‘East to the Right’, and a cover of Simon & Garfunkel’s ‘Bridge Over Troubled Water’, also working with Lee “Scratch” Perry, and released the self-financed ‘Sing A Long’ in 1971 on their own Lyric label.

Disillusioned by the financial side of the Jamaican music industry, Elliot immersed himself in the Rastafarian faith, living on the beach at Harbour View. Elliot allowed his locks to grow to a great length, giving rise to his nickname of ‘Fred Locks’.

During his time living on the beach, he continued to write songs, one of which, ‘Black Star Liners’, referring to Marcus Garvey’s shipping line (Black Star Line) intended to transport black Americans to Africa as part of the Back-to-Africa movement, came to the attention of producer and Twelve Tribes member Hugh Boothe. Boothe persuaded Locks to record the song, and it was released in 1975 on the Jahmikmusic label in Jamaica, and on Grounation in the United Kingdom, propelling Locks to cult status. This was followed up by ‘The Last Days’, which had a lesser impact.

Grounation offshoot Vulcan issued the debut album ‘Black Star Liner/True Rastaman’ in 1976, an album that has remained popular with roots reggae audiences ever since, with the title track regarded as a roots anthem.

In the late 1970s, Elliot was also a member of the vocal trio Creation Steppers, along with Eric Griffiths and Willy Stepper, releasing records in Jamaica on their own Star of The East label, and having a hit in Jamaica with ‘Stormy Night’. In 1980, the trio travelled to the UK for a small tour, and began an association with London-based sound system operator and producer Lloyd Coxsone, who released a number of singles by the group, and also some Fred Locks solo records. These were collected on the album ‘Love and only Love’ in 1982.

  1. dan i
    dan i
    May 10, 2011 at 11:12 pm

    A classic! Especially the tunes Walls and True Rastaman. Fred Locks is still releasing songs today, with some great cuts by producers Xterminator (Fatis Burrell), Twilight Circus, Ras Muffet and Gussie P in recent years.

  2. dan i
    dan i
    May 30, 2011 at 5:35 pm

    Fred Locks keeps on releasing tunes still, with quite a few out now on New York’s Taitu and Black Redemption labels. I see i am only telling myself this, but maybe Penguin is interested…

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