Misty In Roots – People Unite Records – 1979

Mankind / Ghetto Of The City / How Long Jah

Oh Wicked Man / Judas Iscariote / See Them A Come / Sodome And Gomorra

After a short punk break it is back to the roots…Misty In Roots to be precise.

Debut and best LP by Misty In Roots… An absolute classic, and well loved by John Peel and myself…A little scratchy in parts but that’s because of the 1000’s of times it has been going round and round patiently on various turntables that I have owned throughout the years.

Always a great night out seeing this band’s live performances…

Anyone who loves the Misty In Roots vibe should go to the page HERE for some ultra rare 12″ singles that the band released.

Text below courtesy of mistyinroots.ws

With a career spanning four decades, Misty in Roots are one of England’s finest reggae groups. The band was one of the most powerful live reggae acts to emerge from 1970s London, and they were a major force in the Rock Against Racism movement. They are back in style in 2002 with a great new album on Real World Records.

This British based Roots Reggae Band MISTY IN ROOTS have played together for the past 20 years, first coming together in 1975 and working as a backing band for the late, great Nicky Thomas – one of Jamaica’s all time greats who had achieved national chart success with songs such as “Living In The Land Of The Common People”. Nicky Thomas was the inspiration from which MISTY developed.

By 1978 MISTY IN ROOTS began to develop their own orthodox roots reggae sound. Their powerful lyrics inspired by the economic decline, a growing awareness of their African culture and a spiritual awakening inspired tracks as “GHETTO OF THE CITY”, “SODOM & COMMORA” AND MANKIND” all off which can be found on the band’s first album ‘LIVE AT THE COUNTER EUROVISION’.

During the period 1977/78 the political situation in the U.K. was a breaking point. Black consciousness was at its peak and racism roamed the streets of London. Unemployment was affecting both black and white youths and through this depression a new musical alliance was born, young white youths totally fed up with the status quo turned to playing punk music whilst at the same time identifying strongly with the British reggae acts as MISTY IN ROOTS, STEEL PULSE and ASWAD. With the coming of the ‘Rock against Racism’ movement the musical fight-back had begun and for the first time black and white musicians were playing together on the same platform bringing about a totally new concept in musical awareness.

MISTY IN ROOTS one of the most powerful live reggae acts to have come out of London and noted for their powerful roots reggae sound and uncompromising lyrical vibrations, became the major force in Rock Against Racism, playing more concerts than any other band in the movement. This opened up a whole new audience for the band who quickly developed a very strong cross over audience, playing with acts such as Tom Robinson, The Ruts and Elvis Costello.

Despite MISTY’S huge success as a live act the band did not release their first album until 1979. The album LIVE AT THE COUNTER EUROVISION, which was recorded live in Belgium during the band’s 1978 tour, is today still proclaimed by many critics as the best live reggae album of all time. MISTY followed LIVE AT THE COUNTER EUROVISION with a string of limited edition singles such as “OH WICKED MAN”, “RICH MAN’, SALVATION”, “HOW LONG JAH” and “SEE THEM AH COME”.

The band’s second album WISE AND FOOLISH released in 1982 took on more mellow, jazzy and soulful tone.

By 1982 MISTY IN ROOTS was a force to be reckoned with but because of their determination to remain independent the band took a major step into Africa spending nine months in Zimbabwe and Zambia. The period spent in Africa had a major impact on the development of MISTY’S following two albums EARTH and MUSI O TUNYA, both of which were directly inspired by the band’s experiences in Africa.

EARTH released in 1983 was moving musical documentation of the devastation caused to mother Earth by mankind because of greed, cruelty and ignorance. The album consist of classic tracks as “FOLLOW FASHION”, “EARTH”, “POOR AND NEEDY”, “OWN THEM CONTROL THEM” and “SERVANT TO JAH”.

MUSI O TUNYA released in 1985 was a reflection of the band’s love for Africa. MUSI O TUNYA (THE SMOKE THAT THUNDERS) is a beautiful place where Zimbabwe and Zambia meet and the great Zambezi river gives up all its might to form one of the most beautiful sights of Southern Africa. The falls MUSI O TUNYA are known in English as Victoria Falls.

  1. dan i
    dan i
    February 13, 2009 at 6:50 pm

    Simply the business! This album changed a lot of heads about reggae. It is still one of the best albums of all time!

  2. Graham Burnett
    Graham Burnett
    February 14, 2009 at 12:00 am

    I saw Misty In Roots on the back of a lorry at one of the RAR carnivals circa 1978/79. I think maybe it was Victoria park, The Clash headlined I think (not on the lorry…) They were great anyway, the studio version of See Them A Come which I used to have on a 12″ is one of my favourite reggae tracks, shame they went all mainstream and lovers rock later…

  3. Graham Burnett
    Graham Burnett
    February 14, 2009 at 12:04 am

    Oops I retract that last statement concerning mainstream and lovers rock, I think I mixed them up with Aswad in my poor beer befuddled brain…

  4. dan i
    dan i
    February 14, 2009 at 2:23 pm

    Yeah Graham , definitely thinking of Aswad there. Misty never went lovers or mainstream, although their live set did speed up a lot over the years. Mind you, Aswad were a major force for a long time, and still a great live act long after they hit the charts.

  5. devotionalhooligan
    February 14, 2009 at 7:57 pm

    their best album by far… i sold my copy in leaner times… so i’m over the moon to hear it again… cheers xx

  6. Farmer Glitch
    Farmer Glitch
    February 14, 2009 at 9:17 pm

    Saw them play at a festival in Bristol just last summer – still excellent !!

  7. Tony T
    Tony T
    March 10, 2011 at 11:03 am

    I was arrested at the Southall Riots in 1979 and shared a police station cell with one of Misty – and 13 Asian guys. I can’t remember his name. I can recall him shouting to his friend ‘Bertie – get me outa dis blasted pen!’ It was a scary day and a scary time. I got home to find that Blair Peach, whom I knew vaguely, had been killed.

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