Exactly one week after The Mob performed a reunion gig in Bristol, Kill Your Pet Puppy proudly presents, exclusively, the audio of that night’s performance.
In this small sweaty venue The Mob bashed out most of the classics. There were some inevitable casualties within the set, notably ‘Cry Of The Morning’, ‘Gates Of Hell’ and ‘Stay’ for which there were a few mistakes during those songs. The audience on the night were forgiving and understanding of the nervousness that the band must have felt after thirty years of non performance. There were bound to be the odd misplaced note or chaotic ending to some of the songs. Folk who had witnessed The Mob in the band’s original lifetime would probably all state that the band always performed pretty ‘loosely’ at any rate. Listening to old period tapes uploaded on this KYPP site would back that statement up!
The original drummer, Graham Fallows (who had not followed Mark and Curtis out of Yeovil in 1980) had never owned or heard a copy of The Mob’s ‘Let The Tribe Increase’ LP released on All The Madmen records in 1983 until November 2010 so his practising over the last few months really did pay off on the tracks that were new to him.
The whole night was one to remember, many old faces were in attendance throughout the night which made it near on impossible to connect with these old acquaintances properly before someone else pulled you away a minute or so later, and that continued throughout the night inside and outside the venue. Mark Astronaut struggled hard all night to remember the chorus to ‘Dirty Squatters’ by Zounds as he was ready to be hauled up on stage with the band to perform exactly those lyrics. The tiny room at the top of the stairs where boxes of lager and cider were stored along with cartons of very tasty lentil, or if you preferred, chick pea curry and rice. This rider was there for all the performing band’s refreshment courtesy of Mark and Leah who were both stepping into ‘Raymond’ mode for the night (minus the Vauxhall Viva of course). Max who helped release the debut 7″ single by The Mob ‘Crying Again’ took back his royalties for that release from 1980 on this warm Bristol night in cans boxed up in that little room!
Father Raymond looked onto the crowd throughout the whole of the evening via digital technology (not a ghostly special appearance) on a large screen over the centre of the venue…This screen, during the Mob’s set, was switched to show, in a loop, selected period photographs of the 1980-83 anarcho punk scene all ripped from this very same Kill Your Pet Puppy site. I should know, I ripped them!
John Active was busy on the stall punting various Mob t-shirts and screen printed posters (limited to 200 copies!) amongst other Active Distribution gear…
Rich Munday, the blond dreadlocked sound man on the night was of enormous help throughout the evening, attaching backdrops to back of stage, helping Leah with the laptop sound system, helping Steve Rudell with the vinyl sound system…Dealing with the slideshow Apple Mac and last but not least checking all the band’s sound was tip top on the night! Thanks to Rich for all that graft.
Thanks also, on behalf of The Mob, to all the folk that showed up at this gig, and also of course Leah, Tessa and Steve Corr for running around during the last few months helping organise the whole thing in the west country. A pat on the back to me as well for, well, you know…enthusiasm on several Mob related fronts including myspace, facebook and KYPP. Keeping the word alive digitally…
Thanks to all the Wild and Wilson children that turned up seemingly on masse for this occasion. Thanks also of course to the fifty or so Yeovil area folk that showed up including a bunch of Flying Pigs, some Null And Voiders and a smattering of Dead Popstars. Also to Insurrection, Rubella Ballet, Zounds, Idiot Strength and Andy T, bands that all performed well on the night.
Thanks to all those who expressed an interest in the gig from all over the globe but were unable to come personally to witness it…
The whole Mob Bristol performance post is dedicated to three ex Mob followers who could not attend on the night, Alistair and Tony D from Kill Your Pet Puppy and of course Raymond…”We love you”.
The text below is courtesy of Andy Ashford, long standing Mob follower, the photographs are from my collection taken on the night, except for the colour banner, cymbal stand photograph lovingly ripped from Colin (Cream Of The Crop).
SHUFFLING SOULS TO A MIND ALTERING BEAT
THE MOB REUNION GIG – LIVE AT THE FLEECE – BRISTOL – APRIL 2011
From the moment I heard the Mob were reforming as part of Mark Wilson’s 50th birthday celebrations – I couldn’t wait. Back in the day I had nearly always blagged my way into most of the band’s gigs and certainly never paid any more than two or three quid. So twelve quid for a hot little ticket nearly thirty years later seemed like a steal in today’s inflationary terms! There was, however, a certain irony in paying for it online by credit card, in fact the whole concept seemed almost sacrilegious, but there was no way I was missing this one. On pain of death, I had to be there.
By late Friday afternoon people from all over the country and even those of us from beyond the great divide, slowly descended upon a buzzing, sunny Bristol city centre. There were countless rendezvous and emotional reunions in various pubs, bars, parks and hotel receptions. It personally took me two hours to leave the Crown in St Nick’s after meeting a steady flow of old friends and acquaintances – some of whom I hadn’t seen for two decades or more – as well as friends who I had forgotten I’d known and friends who I never even knew I knew!
After finally hitting the Fleece it still took me another hour and a half to actually get into the venue, as I kept continually bumping into even more old heads from days of yonder old. I’m ashamed to say I missed Insurrection and Rubella Ballet, because I was too busy yakking and getting pissed in the pub next door! But then, wasn’t that always the case back then; we hardly ever got to see all the bands half the time anyway? These gigs were as much a social event and an excuse for getting off your face as they were about the music!
Just as I heard that Zounds had come on stage; I could faintly hear those well-known lyrics: “don’t come round here unless you got what I want…I want some…” I gets a tap on the shoulder from none other than my old bandleader and Flying Pig comrade – Captain Max! The first time I’d seen him in over twenty years and what does he say, “you’re a bloody millionaire, you gonna buy me a drink or what?” Some things never change, but then I suppose that’s quite comforting in a way. Two special import Guinness’s later and I finally get in to see the last three or four songs from Zounds, at which point I was grateful of some ‘Demystification!’ Even though Steve was the only original remaining band member – they still had that unique sound – trademarked by his highly infectious, lyrically ‘berkshired’ tones; with classics such as ‘Can’t Cheat Karma,’ ‘Dirty Squatters’ and ‘Subvert’ – I was immediately catapulted back to the early 1980’s.
The clientele were much the same, with the usual suspects of old school punks, diehards, vagabonds, scallywags, reprobates and general riff-raff. Only this time most of us were balding; grey-haired, middle-aged blokes with fat beer bellies! The girls seemed to be fairly thin on the ground this particular night, which was a shame because that scene always seemed to have an equal balance of the sexes. There was of course a whole new plethora of second-generation crazy coloured, twelve inch; Mohican wearing – stage diving – studded jacket types to jizz things up a bit and make up for all us old farts and our lack thereof!
Of course most people’s raison d’être that night – including myself – was to see the Mob. There was no pretentious bullshit, no hype, no hanging about. No sooner had Zounds finished the Mob came on fully armed and ready for battle. They plugged-in and launched straight into ‘What’s Going On’ Instantly the lyrics “don’t know where I’m going and I don’t know where I been, don’t know what I’m doing here, but I know it’s done me in”… had me under their spell. Without hesitation I was up at the front stage jumping around in a frantic, sweaty mosh pit, screaming along with the words, forcing my fist into the air – exactly as I had done at the age of fifteen – over thirty years ago!
The excited anticipation of the entire audience was palpable as adrenaline coursed through every living (and even half living) person. The raw energy of the music instantly taking them into a highly charged, emotional frenzy. Even the first time newcomers to this live Mob gig were swept away by the tsunami-sized tide of nostalgic euphoria. But sentimental it was not. This was very real. As relentless pulsating bass rhythms pounded out of the PA through the tight synergy of Curtis Youe on bass and Graham Fallows on sticks. Mark Wilson’s out of tune, in tune or detuned…guitar distortion drifted in and out like a heat-seeking missile hitting its target with barbed, razor sharp lyrics; cutting to the quick and hitting every raw nerve in your sensory and non-sensory system. I’m sure there isn’t a human being alive who can say they don’t appreciate the Mob’s lyrical prowess. The high octane ‘Shuffling Souls’ took the crowd to even greater heights of mind-altering bliss.
Barring one or two, the Mob played their entire repertoire from the 1983 album -‘Let The Tribe Increase’ – including ‘Our Life Our World’…. “mapped out in scars, carved in wrists and back of arms…” words which are equally as compelling and poignant now as they were then. “Raised in a prison with iron bars and walls too high to be climbed, raised in a four cornered corridor, always kept silent and blind…”- aren’t just lyrics, they are emotional poetry and a deep felt philosophy. A philosophy and belief system the Mob was acutely aware of and extremely clever at encapsulating with such heart-felt emotion. As depressing as some of their songs may seem, they confronted very real and important issues in life, society and politics that ultimately needed to be said. With songs such as ‘No Doves Fly Here’ – the message speaks for itself and this is what drew so many people to the anarcho punk scene back in the late ’70s and early ’80s.
Disenchanted individuals – who literally ‘never understood’ the world they lived in – suddenly became aware that were there were others out there who felt the same way and they could become part of something better, they could become part of a tribe; a family that cared and it would be everyone’s aim to let that tribe increase. Just by looking around the crowd I could see that sense of belonging had never left. I realised that while having changed my life the first time round, the anarcho punk scene is still as much part of my life now as it had been then. I’m still buzzing from it now -like it has been burnt into my very soul.
Unlike some bands, the Mob that night were in perfect harmony with their audience as the gratitude emulated in a two-way symbiotic exchange. They each loved every minute of it just as much as the crowd. Mark actually smiled more than once and Curtis was in his element while pumping out power chords on the bass as if it were a six string – with gut-wrenching melodic riffs and licks that would make your hair stand on end. He very much had the fire in his belly as he directed the occasional Johnny Rotten – psycho glare into the audience. The set was virtually flawless except for one or two false starts and the odd timing hiccup, not bad for a bunch of blokes who hadn’t played together for nearly thirty years! There was even room for a Patti Smith cover- ‘Pissing In A River’ – which I had never heard them do before.
Their last song – ‘I Hear You Laughing’ – reminded me, in contrast, of one of their earlier gigs back home in their stomping ground of Taunton; where a bunch of boot boys & skinheads started harassing the audience. Mark bravely (or rather stupidly) said, “we’re surrounded by millions of mindless morons” when of course, all hell broke lose ! This particular night though, at the Fleece – I think the Mob can say they were surrounded by enlightened individuals who on the contrary, had a lot to thank them for. When once asked why the Mob had bowed out at the height of their popularity; Mark responded with, “what’s the point in writing when there’s nothing left to say?” Well, Mark, Graham and Curtis maybe it’s time to ‘say’ it again – now that the tribe has indeed increased – this could be the time to bring them back together…
The Mob is now on the list of artists to perform at the Beautiful Days Festival in Devon during August 2011. There is also talk of a possible London gig, but nothing definite is confirmed as yet. Make sure you don’t miss out on the opportunity of seeing them.
Update of future gigs and general Mob gossip check out the Facebook site HERE
Reviewed & written by Andy Ashford – email: leevalleycork@eircom.net
This whole gig was original planned as a bunch of smaller bands to do Mob cover versions for Mark’s 50th birthday party…It spiralled to the actual Mob performance after a chance meeting. Graham knocked on Mark’s parental home, totally out of the blue after thirty years, towards the end of last year and swapped telephone numbers. Very glad he did… It gave little Aaron, who shares the same birthdate as Mark, a few days in the pleasant company of some decent folk all over the Bristol area on one of the hottest (long) weekends of the year so far. Aaron did get to witness The Mob soundcheck, his first punk gig? Maybe.
Special thanks to Miles ‘Rat’ one time Napalm Deather who brought over, all the way from Denmark, a chocolate egg for Aaron.
Happy Birthday to Tony D – have a lovely and relaxing day, all the best from all at Kill Your Pet Puppy online…
AL Puppy
April 16, 2011 at 9:22 amHappy birthday Tony and hats off to Penguin, Andy Ashford and the Mob for this wonderful post. I am really pleased and proud that the connection between KYPP and the Mob is still a creative collaboration thirty years on – that the elusive ‘spirit’ which inspired so many of us then continues to inspire…
i@n
April 16, 2011 at 10:12 amExcellent post
Steve Crr
April 16, 2011 at 12:01 pmGood work people
Downloading it now but having heard the recording of my own performance I’m hoping it’s not as bad. Mine was through the mixing desk and there is no bass or drums whatsoever. I hate mixing desk recordings, waste of time.
Ok, listening now, this sounds far better.
Jerry
April 16, 2011 at 12:21 pmGreat site. But why do you call it ‘Kill Your Pet Puppy’ for fuck sake!
Penguin • Post Author •
April 16, 2011 at 12:45 pmNo need to swear mate 😉
Kill Your Pet Puppy was started by Tony D, founder of iconic punk fanzine Ripped & Torn (1976-1979). Shortly after Thatcher was elected as prime minsister in May 1979 Tony moved to Europe and lived a bohemian lifestyle. Upon his return Tony started work on a more extreme and uncompromising fanzine, initially as a reaction to the way the original punk movement had been sucked into the hated Record Industry establishment: something he’d seen and experienced at first hand.
Kill Your Pet Puppy also reflected punk life as it was under the newly-elected Thatcher cosh: squatting, skinhead NF and British Movement attacks, speed being replaced by tunial and scraping a rainbow life from the hell of reality.
Kill Your Pet Puppy was at the forefront of a cultural landscape and an alternative world of squats, squatted venues and self-sufficiency that became known as ‘anarcho punk’. They were liberating times.
The name – Statement from Kill Your Pet Puppy issue number one – 1979
“The words kill your pet puppy are not about harming animals, they are about stripping away false and externally imposed responsibilities in order to see through the illusion of society’s conformist ‘real life’ that pins down, stifles and suffocates us.
The ‘puppy’ is symbolic of implements of the state forced upon young children, the puppy being often the first in a long line of instruments designed to teach dependence on worthless objects, enslaving the kid into a lifetime of obedience to an outside agent that demands sacrifice of independence to serve. The puppy’s cute helplessness forces an emotional responsibility that subverts our natural nurturing instincts as the kids parents use the puppy to force the kids experiences of the world into a state-prescribed conformist view of the ‘family’.
‘Kill’ means moving beyond enslavement and experiencing life at first hand; experiencing the explosive euphoria, which follows”.
Trunt
April 16, 2011 at 12:51 pmSupurb live recording, thanks for posting it up. Penguin, a mate of mine filmed the Mob set and he would like Mark to have a copy, could you send me an address (no I’m not a stalker) so he can send one out. Thought about the united vans address. Cheers.
Penguin • Post Author •
April 16, 2011 at 1:06 pmThe United Vans address is fine Trunt. He lives on site. In a little shed. But improvements are ongoing! A couple more years and it will look like a squatter version of Disneyland!
Mark Ripper
April 16, 2011 at 1:20 pmGreat reviews – many thanks for posting.
Andy Ashford
April 16, 2011 at 1:33 pmJeepers Penguin ! What a bang on reply to – “why the kill your pet puppy!’
You must have had that pre rehearsed ages ago – either that or you’re a highly articulate literary genius for such off the cuff spontaneity. Nice one..
Penguin • Post Author •
April 16, 2011 at 1:54 pmAndy, I got grade 5 CSE’s in English and English lit (and actually most other subjects, chemistry and so forth) so a highly articulate literary genius I am certainly not! Although I am quite good at cutting and pasting stuff I put up on the site years ago and I am also good at remembering where it is!
Ripper hope you noticed your photo at Wapping A Centre toilets on the slideshow at the gig…Have a look above at the last live shot on this post (Mark facing crowd). You are on the screen!
Andy T
April 16, 2011 at 1:56 pmA lovely evening by all accounts. Proud to have been part of it. Much than just another gig, a very important event.
Is this the mixing desk recording that Rich did? Seems to have the same sound.
If you would like to post my set on the site, just in case anyone is remotely interested, send me an email and I’ll send you the mp3.
Mark Ripper
April 16, 2011 at 2:12 pmHeh cool – thanks for pointing that out Penguin! A pic I’ll treasure for sure!
Sadly I didn’t see any of the screen pics on the night, I was up front on the same side as they were showing by the look of things – I hadn’t even realised that there was a screen until I read the article!
Craig
April 16, 2011 at 2:39 pmSame as you Mark – I did not notice the screen or even notice the stall as I was too taken in by seeing old friends & watching the bands. It was a very important event that will live in the memory bank for a very long time! The atompshere outisde the Severn Stars from early afternoon was amazing! I hope someone recorded the Rubella Ballet & Zounds sets for download & I’d love to see video footage of the gig if it becomes available.
The Old Punk
April 16, 2011 at 2:57 pmGreat recording 🙂 Was it recorded as an MP3 or has someone got a WAV version? Because I would love to have an uncompressed version of this. If there is a WAV of this, could the owner please upload it (maybe as a FLAC to shrink the size a bit)? Please? Pretty please with sugar on?
Penguin • Post Author •
April 16, 2011 at 3:18 pmThis is the original through the sound desk recording transferred to mp3 on 320. CD quality. A WAV version of an hours performance would certainly bollocks your computer up. Maybe Rich at The Fleece can transfer to CDR for you if you contact him, but expect a ‘no’ as he is very busy every night with other bands…you may be lucky though.
dan i
April 16, 2011 at 3:51 pmWow, you don’t mess about Penguin do you?
The Old Punk
April 16, 2011 at 4:12 pmDon’t worry about my computer, I do WAV / FLAC stuff on it all the time 🙂 Thanks for the info fella, I’ll see if I can persuade Rich to burn a CDR for me.
Nuzz
April 16, 2011 at 5:03 pmPenguin….you never fail to dissapoint, just back from my hols in Scarborough, which kept me from even contemplating a trip to Bristol for this. The one thing I was looking forward to upon getting back was the hope that you may have posted a recording….and well, what can I say….Thanx, and mighty fine they sound….the power the passion and the pain is still there, still get goosebumps and tears in the eyes during some of these tunes. Here’s hoping for a London gig.
Andy Ashford
April 16, 2011 at 6:27 pmEven though the download is a fantastic quality recording – it doesn’t really recapture the raw energy of the night. I certainly don’t remember the vocal being swamped in reverb – did it get get doctored post gig i wonder ? Love the clips on u tube myself, they really capture the vibe. Are there plans to upload a video of the night..?
Penguin • Post Author •
April 16, 2011 at 7:24 pmThis recording is as it was through the desk – nowt tampered with…Rich is I think going to send me a remixed one or at least he mentioned that he might.
Sid from Rubella filmed the show professionally and I think has plans with releasing it somewhere or other after remixing and editing. Mark will have to be asked. Or keep coming back to the FB page for any updates on things like that…and a London date 😉
Mykill Von Doom
April 16, 2011 at 10:27 pmThanks for sharing this. The Mob were always high on my list of “bands I never managed to see live”.
Really had a lump in my throat listening to this.
Tony Puppy
April 17, 2011 at 12:47 amGreat to see/hear the audio of this gig so quick and on here too. Is good to see the link between Mob and Pups still strong.
I’m in the West country at the moment and planning on going to Stonehenge tomorrow – to set up some kind of a festival? Well who knows?
Will have this Mob gig ringing round my head like a halo whatever happens…
Marcus Blakeston
April 17, 2011 at 4:58 pmI would be interested in hearing the Andy T, and also the Zounds if that’s around. I noticed from the Zounds video on Youtube that Mark Astronaut was there too. Did the Astronauts play? A major oversight if they didn’t.
Craig
April 18, 2011 at 4:49 pmThe Astronauts did not play Marcus – Mark just done the one song with Zounds ‘Dirty Squatters’.
It was great to listen to the audio of The Mob’s set & thanks very much for putting that up for us all. It brought a lump to the throat again & to Andy who says it does not capture the raw energy well thats the problem with recordings through the mixing desk, you do not get to hear the whole vibe/energy & atmosphere created. It sounds as if there was 10 people there at times when in fact there were over 400 very emotional people & you just cannot capture that on the audio recording or probably on video either. However, it was a wonderful set & I’d hate it to be re-edited or messed with as it really doesn’t need it & that is not a true account of the night then! I very much look forward to seeing the video footage if Sid is allowed & gets to release it.
luggy
April 18, 2011 at 7:19 pmNice to hear Mark acknowledging Patrik Fitzgerald’s ‘No Fun Football’ at the beginning of ‘I Wish’, thought I’d imagined that on the night!
smash29
April 18, 2011 at 11:29 pmJust saying thank you very much to all at KYPP and The Mob plus everybody else there that night, for putting VERY big smiles on peoples faces. @.P.E.
DEKADENCIA G
April 20, 2011 at 6:12 pmEMOTIONAL POST!!!..good very good…The Mob is one great band for me, I have too much respect for them…TONY ever tell you, KILL YOUR PET KILL PUPPY IS ONE Excellent blog,TOO MUCH FEELINGS and history of our culture of course songs too, yes HAPPY BIRTHDAY TONY – FELIZ KUMPLEAÑOS TONY. one great embrace from Mar Del Plata City Argentine….DEKADENCIA G
pinkie
April 20, 2011 at 10:45 pmLove this fuckin blog – love it – ah!!!!
Ju
April 21, 2011 at 12:44 pmThanks for uploading – time and effort well appreciated, in distant lands. And thanks to the Mob (“We love you!”) for playing – impossible for me to make it, but it’s good to hear you alive, well and in good form. My flamenco dancing neighbour just got a full blast. Bit of a culture clash that one…
yet another dave
April 22, 2011 at 12:36 amGo on Mick. Put the Andy T recording up. I’m one of the 30 or so who stayed to the end and was amazed by his set with a band. Whilst the Mob were astounding, I would like to say so were Andy, Zounds and Rubella Ballet. It’s such a shame Raymond wasn’t there to see it
sonny
April 22, 2011 at 11:03 amAndy T’s set was well good. Pity there were not many people there to witness it.
sonny
April 22, 2011 at 11:04 amand Steve Corr too of course!
John Serpico
April 23, 2011 at 1:32 pmAnd just two weeks later Bristol is in full riot mode. Hallelujah! Thank you, The Mob.