{"id":2045,"date":"2009-02-20T23:18:18","date_gmt":"2009-02-20T22:18:18","guid":{"rendered":"http:\/\/www.killyourpetpuppy.co.uk\/news\/?p=2045"},"modified":"2015-03-15T11:53:21","modified_gmt":"2015-03-15T11:53:21","slug":"toxic-grafity-fanzine-1979","status":"publish","type":"post","link":"https:\/\/killyourpetpuppy.co.uk\/news\/toxic-grafity-fanzine-1979\/","title":{"rendered":"Crass &#8211; Toxic Grafity Fanzine &#8211; 1979"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"http:\/\/i192.photobucket.com\/albums\/z149\/pengy1966\/pengy1966%20stuff\/scan337.jpg\" alt=\"\" width=\"458\" height=\"651\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"http:\/\/i192.photobucket.com\/albums\/z149\/pengy1966\/pengy1966%20stuff\/scan343.jpg\" alt=\"\" width=\"457\" height=\"607\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"http:\/\/i192.photobucket.com\/albums\/z149\/pengy1966\/scan511.jpg\" alt=\"\" width=\"513\" height=\"503\" \/><\/p>\n<p>First\u00a0pressing of flexi<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"\" src=\"http:\/\/i192.photobucket.com\/albums\/z149\/pengy1966\/pengy1966%20stuff\/scan336.jpg\" alt=\"\" width=\"513\" height=\"492\" \/><\/p>\n<p>Second pressing of flexi<\/p>\n<p><a href=\"http:\/\/www.mediafire.com\/?7cj2jx717kht69d\" target=\"_blank\">Crass &#8211; &#8216;Tribal Rival Rebel Revel&#8217; flexi disc<\/a><\/p>\n<p>This particular issue of Toxic Grafity is probably the most well known of the handful that were produced. It\u00a0was also one of the best selling\u00a0(of all fanzines, not just Toxic Grafity!) due to the free flexi disc of a (then)\u00a0unreleased track by Crass being included.<\/p>\n<p>It should be noted that Throbbing Gristle are also featured in this issue which was always a bonus for fanzines in the late 1970&#8217;s.<\/p>\n<p>I am indebted to Toxic Grafity&#8217;s writer and editor, Mike Diboll for supplying the following information below on how this\u00a0particular issue of\u00a0Toxic Grafity got produced. All artwork on this post is from this issue of Toxic Grafity.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"http:\/\/i192.photobucket.com\/albums\/z149\/pengy1966\/pengy1966%20stuff\/scan340.jpg\" alt=\"\" width=\"459\" height=\"640\" \/><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><span style=\"font-size: 10pt; font-family: Arial;\">This edition of Toxic Grafity was put together while I was squatting in New Cross, south London and originally printed during late 1979, but it didn&#8217;t really get into folks homes until early 1980, when a substantial reprint was done. Originally 2,000 came off the presses, quite how many were eventually printed, I am not sure.<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><span style=\"font-size: 10pt; font-family: Arial;\">\u00a0<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><span style=\"font-size: 10pt; font-family: Arial;\">Joly from Better Badges (who also printed the first three KYPP\u2019s fanzines, the last three were printed by Little \u2018A\u2019 Printers) used to always swing things so it seemed that I owed him lots of money (quite large sums for those days); I&#8217;m sure he may well have been diddling me, but that was my fault, because I was very naive in those days and thought that anything do with business, copyright etc, was bourgeois and reactionary, so perhaps I deserved it. Also, it must also be added that I was off my head a\u00a0fair bit\u00a0in those days, but\u00a0of course so was Joly! Judging by the number of flexi\u2019s that were sent to Better Badges, I suspect the actual print run was over 10,000, perhaps well over. <\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><span style=\"font-size: 10pt; font-family: Arial;\">\u00a0<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><span style=\"font-size: 10pt; font-family: Arial;\">A year before the release of this particular issue of\u00a0Toxic Grafity,\u00a0in 1978, and also during 1979, there had been some really nasty rucks at Crass gigs at the Conway Hall in Red Lion Square in west central London. These rucks had mainly been fought between boneheads and bikers brought in by the SWP. <\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><span style=\"font-size: 10pt; font-family: Arial;\">\u00a0<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><span style=\"font-size: 10pt; font-family: Arial;\">I can&#8217;t remember what the gigs were in aid of, but it was something the SWP had a hand in. The boneheads were used to pushing punks around,\u00a0but got far more than they bargained for when taking on\u00a0the bikers, some of whom were grown men in their 30s and 40s armed with bike chains, knives etc. After those experiences at there concerts Crass seemed to get a lot more edgy than they had been previously about sharing any sort of platform with members of the &#8216;hard&#8217; left wing. <\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><span style=\"font-size: 10pt; font-family: Arial;\">The lyrics to the Crass\u00a07&#8243; single\u00a0\u2018Bloody Revolutions\u2019 is based on that feeling from the band\u00a0around this\u00a0time. <\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><span style=\"font-size: 10pt; font-family: Arial;\">\u00a0<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><span style=\"font-size: 10pt; font-family: Arial;\">Basically it was the left wing causes that Crass would sometimes support, that seemed to aggravate the boneheads, and of course the boneheads\u00a0would generally mill around the halls looking dangerous, and on occasions causing some real trouble. <\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><span style=\"font-size: 10pt; font-family: Arial;\">Toxic Grafity didn&#8217;t really have those left wing associations, and (luckily) I also knew a few of the bonehead contingent quite well. I had always despised their ideology, but on a human level I was quite friendly with some of them. This I think helped diffuse things when Crass performed at the Toxic Grafity event\u00a0staged at\u00a0the Conway Hall late on\u00a0in 1979. <\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><span style=\"font-size: 10pt; font-family: Arial;\">\u00a0<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><span style=\"font-size: 10pt; font-family: Arial;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"http:\/\/i192.photobucket.com\/albums\/z149\/pengy1966\/KYPP0008.jpg\" alt=\"\" width=\"418\" height=\"318\" \/><\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><span style=\"font-size: 10pt; font-family: Arial;\">\u00a0<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><span style=\"font-size: 10pt; font-family: Arial;\">It was not a violent night at all, which was obviously good news at the time considering the previous gigs at the Conway Hall. There were of course\u00a0some minor problems,\u00a0but those\u00a0situations\u00a0were quickly nipped in the bud by some\u00a0friends of\u00a0my family that had\u00a0come to witness the gig.<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><span style=\"font-size: 10pt; font-family: Arial;\">\u00a0<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><span style=\"font-size: 10pt; font-family: Arial;\">The flexi disc followed on from the Toxic Grafity benefit gig, it was Penny&#8217;s idea, he bought it up one evening at Dial House, the Crass commune,\u00a0way out in\u00a0North Weald, Essex.<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\">\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"http:\/\/i192.photobucket.com\/albums\/z149\/pengy1966\/pengy1966022\/KYPPTG_zps4e1be712.jpg\" alt=\"\" width=\"293\" height=\"640\" \/><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><span style=\"font-size: 10pt; font-family: Arial;\">\u00a0<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><span style=\"font-size: 10pt; font-family: Arial;\">The original Toxic Grafity benefit was staged because of an incident late on in 1978 when I was pulled by the police in Soho, the seedier area of the west end of London. The police\u00a0stopped me\u00a0on one of those charges they used to pick punks and other ne&#8217;r-do-wells up on, the infamous SUS law. I had stopped off in Soho on my way back from a visit to Dial House, and had the artwork of an earlier Toxic Grafity on me. The police found this highly amusing, as you might imagine, destroyed the artwork, treated me a bit roughly, threatened me, and said that they&#8217;d put me on some sort of Special Branch terrorist watch list. Looking back on this as a 50 year-old I can see that this was almost certainly bullshit, but I took it seriously enough at the time! <\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\">\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><span style=\"font-size: 10pt; font-family: Arial;\">As a result, Crass decided to help Toxic Grafity out (a previous issue had carried one of the first in-depth interviews with them), and the gig at the Conway Hall and the flexi disc\u00a0followed on from that. <span style=\"mso-spacerun: yes;\">\u00a0<\/span><\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><span style=\"font-size: 10pt; font-family: Arial;\">\u00a0<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><span style=\"font-size: 10pt; font-family: Arial;\">The track on the flexi disc, was not one of Crass&#8217; more in-depth or enigmatic tracks, rather it was what it says it is, a protest against violent political sectarianism screwing up the young.\u00a0Of course I was extramely grateful never the less.<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><span style=\"font-size: 10pt; font-family: Arial;\">I&#8217;ve repudiated so much of what I used to believe in during those days in the late 1970&#8217;s, but the closing words for\u00a0Crass&#8217;\u00a0\u2018Bloody Revolutions\u2019 track &#8220;but the truth of revolution, brother, is Year Zero&#8221; still appeals to the Burkeian in me!<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><span style=\"font-size: 10pt; font-family: Arial;\">\u00a0<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><span style=\"font-size: 10pt; font-family: Arial;\">Joly at Better Badges did the litho printing for the fanzine and sorted out the badges. Southern Studios took care of the flexi disc by Crass, but I can&#8217;t remember where they had it pressed, or how many exactly were manufactured. The Crass flexi discs were written in red for the original publication of Toxic Grafity, others were written in silver for subsequent issues of the fanzine.<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><span style=\"font-size: 10pt; font-family: Arial;\">\u00a0<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><span style=\"font-size: 10pt; font-family: Arial;\">Eventually there were five Toxic Grafity fanzines that were produced and sold from 1978 &#8211; 1981. <\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><span style=\"font-size: 10pt; font-family: Arial;\">\u00a0<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><span style=\"font-size: 10pt; font-family: Arial;\">Toxic Grafity issue 6 and 7 were planned and in large part nearly prepared, but I became a father in March 1982 (I&#8217;m now a grandfather, twice), and &#8216;reality&#8217; stepped in quite soon after so all those projects were cancelled.<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><span style=\"font-size: 10pt; font-family: Arial;\">\u00a0<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><span style=\"font-size: 10pt; font-family: Arial;\">The later Toxic Grafity\u2019s, including the\u00a0issue above, had dropped the whole band interview thing and had became more like an anarcho-punk agit-art magazine, similar to what Kill Your Pet Puppy would evolve into. <\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><span style=\"font-size: 10pt; font-family: Arial;\">\u00a0<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><span style=\"font-size: 10pt; font-family: Arial;\">By 1983 I was doing a lot of dispatching and also a lot of &#8216;white van man&#8217; work until sometime in 1989. While doing these small jobs, a friend of mine, Wayne Minor (from Brixton\u2019s 121 Railton Road bookshop) and myself brought out one issue of &#8220;The Commonweal&#8221; which was a more mainstream anarchist publication in 1985.<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><span style=\"font-size: 10pt; font-family: Arial;\">\u00a0<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><span style=\"font-size: 10pt; font-family: Arial;\">In 1989 I entered university as a mature student. <\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><span style=\"font-size: 10pt; font-family: Arial;\">\u00a0<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><span style=\"font-size: 10pt; font-family: Arial; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\">I now live and work in the middle east.<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"http:\/\/i192.photobucket.com\/albums\/z149\/pengy1966\/pengy1966%20stuff\/scan342.jpg\" alt=\"\" width=\"512\" height=\"372\" \/><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\">\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\">To advertise this issue of Toxic Grafity, Crass arranged to press up a few hundred vinyl copies of the same version of &#8216;Rival Tribal Rebel Revel&#8217; to give to record stores that were ordering the fanzine in bulk. This was so the shop had a &#8216;hard&#8217; vinyl copy that the shop could play rather than play the flexi disc from the fanzine if any potential buyers wanted a snippet pre buying the product.<\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\">\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"http:\/\/i192.photobucket.com\/albums\/z149\/pengy1966\/imgep233.jpg\" alt=\"\" width=\"514\" height=\"502\" \/><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\">\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"http:\/\/i192.photobucket.com\/albums\/z149\/pengy1966\/imgep232.jpg\" alt=\"\" width=\"514\" height=\"506\" \/><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\">\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"http:\/\/i192.photobucket.com\/albums\/z149\/pengy1966\/pengy1966022\/KYPPTG1_zps69224858.jpg\" alt=\"\" width=\"523\" height=\"720\" \/><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"http:\/\/i192.photobucket.com\/albums\/z149\/pengy1966\/pengy1966022\/KYPPTG2_zps457bdca5.jpg\" alt=\"\" width=\"499\" height=\"687\" \/><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><span style=\"color: #800000;\"><strong>With thanks to Chris Low for supplying the personal letter from Mike to Chris<\/strong><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>First\u00a0pressing of flexi Second pressing of flexi Crass &#8211; &#8216;Tribal Rival Rebel Revel&#8217; flexi disc This particular issue of Toxic Grafity is probably the most well known of the handful that were produced. It\u00a0was also one of the best selling\u00a0(of all fanzines, not just Toxic Grafity!) due to the free flexi disc of a (then)\u00a0unreleased [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-2045","post","type-post","status-publish","format-standard","hentry","category-links-downloads"],"_links":{"self":[{"href":"https:\/\/killyourpetpuppy.co.uk\/news\/wp-json\/wp\/v2\/posts\/2045","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/killyourpetpuppy.co.uk\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/killyourpetpuppy.co.uk\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/killyourpetpuppy.co.uk\/news\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/killyourpetpuppy.co.uk\/news\/wp-json\/wp\/v2\/comments?post=2045"}],"version-history":[{"count":37,"href":"https:\/\/killyourpetpuppy.co.uk\/news\/wp-json\/wp\/v2\/posts\/2045\/revisions"}],"predecessor-version":[{"id":8020,"href":"https:\/\/killyourpetpuppy.co.uk\/news\/wp-json\/wp\/v2\/posts\/2045\/revisions\/8020"}],"wp:attachment":[{"href":"https:\/\/killyourpetpuppy.co.uk\/news\/wp-json\/wp\/v2\/media?parent=2045"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/killyourpetpuppy.co.uk\/news\/wp-json\/wp\/v2\/categories?post=2045"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/killyourpetpuppy.co.uk\/news\/wp-json\/wp\/v2\/tags?post=2045"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}