{"id":1821,"date":"2009-01-22T00:49:22","date_gmt":"2009-01-21T23:49:22","guid":{"rendered":"http:\/\/www.killyourpetpuppy.co.uk\/news\/?p=1821"},"modified":"2009-01-22T01:05:11","modified_gmt":"2009-01-22T00:05:11","slug":"a-certain-ratio-factory-records-1979","status":"publish","type":"post","link":"https:\/\/killyourpetpuppy.co.uk\/news\/a-certain-ratio-factory-records-1979\/","title":{"rendered":"A Certain Ratio &#8211; Factory Records &#8211; 1979"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"http:\/\/i192.photobucket.com\/albums\/z149\/pengy1966\/pengy1966%20stuff\/scan313.jpg\" alt=\"\" width=\"639\" height=\"640\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"http:\/\/i192.photobucket.com\/albums\/z149\/pengy1966\/pengy1966%20stuff\/scan314.jpg\" alt=\"\" width=\"639\" height=\"640\" \/><\/p>\n<p><a href=\"http:\/\/www.mediafire.com\/?nktytnuz3iy\" target=\"_blank\">All Night Party<\/a><\/p>\n<p><a href=\"http:\/\/www.mediafire.com\/?uzirecy2wjq\" target=\"_blank\">The Thin Boys<\/a><\/p>\n<p><span style=\"font-size: small;\"><span style=\"font-family: Arial;\">Manchester<\/span><span style=\"font-family: Arial;\">, 1978. In the beginning there were four: Jeremy Kerr (bass), Martin Moscrop (guitar\/trumpet), Peter Terrel (guitar\/effects) and Simon Topping (vocals\/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.May 1979 saw the release of their first ACR single, the dark\u00a0and atmospheric 7\u2033\u00a0All Night Party (FAC5 \u2013 A Certain Ratio, the second\u00a0record released by Factory Records, the first being FAC2 \u2018Factory Sample\u2019 a two\u00a07\u2033 package\u00a0featuring Joy Division, Duritti Column, John Dowie and Cabaret Voltaire. All the other releases prior were posters or handouts of some sort or another. The sound and musicianship of the band would soon be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown.<\/span><\/span><\/p>\n<p><span style=\"font-family: Arial;\"><span style=\"font-size: small;\">The next proper ACR record was the epochal Shack Up, released by Factory Benelux in July 1980. Recorded for \u00a350, the single still managed to dent the Billboard disco chart in the USA. Antilles\/Island expressed interest in signing ACR, and they were invited to record with Grace Jones, but the band elected to remain with Factory and Wilson. In September ACR completed a short American tour supporting New Order, and collected an extra vocalist in Martha \u2018Tilly\u2019 Tilson. The debut album To Each\u2026 was recorded in East Orange, New Jersey, where an engineer accidently cleared the final mix settings. As a result the mix had to be completed by Martin Hannett in the UK, and suffered as a result.<\/span><\/span><\/p>\n<p><span style=\"font-family: Arial;\"><span style=\"font-size: small;\">ACR\u2019s third single was the astonishing 12\u2033 Flight, released in October 1980. Hypnotic, transcendental funk produced by Martin Hannett, and all three tracks marking ACR as the artistic equals of Joy Division.<\/span><\/span><\/p>\n<p><span style=\"font-family: Arial;\"><span style=\"font-size: small;\">Live 1980 captures ACR at a key point in their development, performing a tight yet atypical set before a sparse audience at the tiny Vera venue at Groningen, in the north of Holland, on the night of 26 October. The show was part of a short Factory package tour of Holland, Belgium and Germany shared with Section 25, as well as The Names and Durutti Column on select dates. It\u2019s worth putting the Ratios in proper context here, with just three singles and a cassette album to their name, and a niggling dissatisfaction with playing the same set night after night. Indeed in August ACR had confessed to Paul Morley in the NME:<\/span><\/span><\/p>\n<p><span style=\"font-family: Arial;\"><span style=\"font-size: small;\">\u201cWe\u2019re not as enthusiastic about what we do as we were at the start. We still like what we\u2019re playing, but we play it all the time. We\u2019ve been on the road for two years now\u2026 It doesn\u2019t make a difference when you\u2019re playing the same old things over and over again. We\u2019re in a dilemma at the moment.\u201d<\/span><\/span><\/p>\n<p><span style=\"font-family: Arial;\"><span style=\"font-size: small;\">Hence this unusual but brilliant set performed two months later, based largely on tracks from the just-recorded debut album, and ignoring all three singles. Tilson had not yet arrived in Europe. The extended, spacier numbers such as Oceans, Loss and Winter Hill sound particularly fine, and the interplay between the dual guitars and trumpets is nothing short of a revelation. Indeed it\u2019s almost like listening to a crack jazz combo. That this tape exists, and sounds so good, is due largely to live engineer Jon Hurst, whose skill at the mixing desk was consummate. For further examples of his talent, check out the live albums by Section 25 (Live in Europe and America 1982) and Crispy Ambulance (Fin).<\/span><\/span><\/p>\n<p><span style=\"font-family: Arial;\"><span style=\"font-size: small;\">The European tour in October 1980 would be the last Factory package that ACR agreed to take part in, the group having already decided to withdraw their labour from the collective live label effort before the American trip. Elsewhere in this booklet you can read an illuminating account of the tour by Larry Cassidy of Section 25, including the shock theft of an ACR trumpet in Amsterdam.<\/span><\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><span style=\"font-family: Arial;\"><span style=\"font-size: small;\">The debut album To Each\u2026 surprised some on its eventual release in April 1981, in part due to the flawed production, and also because many of the best tracks from this period appeared only on singles and eps. However, the band regained lost ground with the next album, the self-produced Sextet, and companion single Waterline. Released in January 1982, Sextet attracted rave reviews, and with Tilly as their new live focal point the band took their place in the avant-funk vanguard alongside 23 Skidoo and The Pop Group.<\/span><\/span><\/p>\n<p>\u00a0<\/p>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>All Night Party The Thin Boys Manchester, 1978. In the beginning there were four: Jeremy Kerr (bass), Martin Moscrop (guitar\/trumpet), Peter Terrel (guitar\/effects) and Simon Topping (vocals\/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-1821","post","type-post","status-publish","format-standard","hentry","category-links-downloads"],"_links":{"self":[{"href":"https:\/\/killyourpetpuppy.co.uk\/news\/wp-json\/wp\/v2\/posts\/1821","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/killyourpetpuppy.co.uk\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/killyourpetpuppy.co.uk\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/killyourpetpuppy.co.uk\/news\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/killyourpetpuppy.co.uk\/news\/wp-json\/wp\/v2\/comments?post=1821"}],"version-history":[{"count":6,"href":"https:\/\/killyourpetpuppy.co.uk\/news\/wp-json\/wp\/v2\/posts\/1821\/revisions"}],"predecessor-version":[{"id":1824,"href":"https:\/\/killyourpetpuppy.co.uk\/news\/wp-json\/wp\/v2\/posts\/1821\/revisions\/1824"}],"wp:attachment":[{"href":"https:\/\/killyourpetpuppy.co.uk\/news\/wp-json\/wp\/v2\/media?parent=1821"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/killyourpetpuppy.co.uk\/news\/wp-json\/wp\/v2\/categories?post=1821"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/killyourpetpuppy.co.uk\/news\/wp-json\/wp\/v2\/tags?post=1821"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}